For me, it's a new way of democratising the relationship with art and changing the elitist vision that we may have of it. Street art does this very well because it is in direct contact with the spectators and not in a museum, a closed place where you have to be invited. Benefiting from the trust of companies like Printemps or the Galleries, it allows you to intrigue, to make the spectator aware. For me, it's an excellent way to open up access to culture.
It was great, there were lots of people stopping to ask questions and congratulate me. It changes their routine and it's a great way to energise a space. Events like these allow for discussions and exchanges. People are surprised, amazed, it allows them to understand how the creative process works. Just to see the eyes of the audience shine is priceless.
Street art had a negative image, associated with vandalism. But with time, with live-painting and contact with people, we understand each other, and it opens a channel of communication. Street art has evolved, we have broken the image of tagging that everyone hates.
Yes, a lot! But I can't talk about everything... What I can say is that I'm going to invest in Crémat Castle at the beginning of January. I'm going to paint the entrance to the future gallery of the castle, and it will be a permanent work.
I also organise team building events on the theme of street art on the rooftop of the Mariott hotel. For two hours, everyone learns how to use a spray can and creates their first street-art canvas. The results are amazing because I allow the employees to obtain a result that would require ten years of experience thanks to the advice and techniques that I pass on.
Publié par Camille GUIL